Sandra Tayler

Flowers and Change

By / April 13, 2016 / 1 Comment

Tulip pink and yellow I’ve had tulips for as long as I’ve owned this house (18 years and counting). There was an abundance of them in the front flowerbed the first spring after I moved in. The thing with tulips is that most varieties of them will only come back for a few years before dying out. There are a few exceptions, mostly in bright yellow and solid red. Over the years I’ve dug up beds, redistributed tulip bulbs, bought new bulbs, and generally been a disturber of the earth. Some years I tend my flowers. Other years only the fittest will survive the incursion of weeds and neglect. Yet I’ve always had yellow tulips because they persistently grow and spread. One patch will die out, but another will thrive. In my backyard, yellow tulips are the only ones I have because I’ve not taken time to re-plant other colors. Except this spring I looked out my back window and saw a surprise. Pink tulips in my backyard flower beds. There are three of them in three different places and I don’t know how they got there. I’ve never seen pink in the back garden before. I know I didn’t do any planting last fall.

My mind spins on the puzzle as I stand at the window. I ruminate on spontaneous hybridization (happening identically in three locations) or an accidental scattering of seeds. I assume that tulips can grow from seeds though bulbs work much better. Then I stop myself. This is not a problem that needs a solution. I don’t need to know how they got there, I can just enjoy the fact that they are. tulip apricot and sky This is one of the things I love about seeing my garden year after year. It always changes. There is always some surprise or a new manifestation. This trio of apricot-colored tulips used to be giant and in classic tulip shape. Yet this year they are small and airy. It probably means that in another year or so they’ll vanish as tulip varieties so often do. Then I’ll plant some other tulip in that spot, or perhaps the lilies will take over. Each spring my flowerbeds change. They are different than the year before.

In fact the beds change not just year to year, but day to day. I’ve been noticing this as I spend five or ten minutes wandering outside with my camera in hand. I’m looking for things to photograph for my April photo a day that I’m posting on twitter. Some of the flowers I photographed only a week ago have lost their petals and are done for the year. Others have shown up where I didn’t expect a flower at all. And then there is the slow watching of plants and flowers developing. This peony won’t bloom until late May or June, but the buds are beginning to grow now. They’ve grow in just the past week.
Peony comparison 1 web

I’m always a little sad when I see the flowers begin to lose their petals. The tulips drop theirs fairly dramatically. One day flower, next day just a stem. For today the palm-sized petals are still lovely even on the ground. I know the tulips will be back again next year and they need to make way for the summer flowers which are just beginning to shoot up. Fallen petal 1 I wish that the serendipity of unexpected beauty were as easy to see as in my garden. I wish that emotional growth and development in my children were as simple to spot and photograph as the buds of my flowers. I wish that life made it easier to see that sad things sometimes have to happen because without them future happiness can’t be. I wish these things, but for now I’ll walk my flower beds and feel that the sorts of things I see there are happening in other parts of my life as well. Life is full of beautiful growth, but I won’t see it unless I stop and pay attention.

We have a strange job

By / April 11, 2016 / 3 Comments

“I just need you to verify information on some people you made payments to.” The guy asking was from the Utah Department of Workforce Services. His job was to make sure that I was paying Utah unemployment taxes for any Utah residents who might be considered employees.
“Who is X, and what does she do for you?”
“Ah that’s one of our artists, we contract work from her. She lives in Canada.”
“Okay.” He checks her off the list. Not a Utah resident, not his concern. “Tell me about W.”
“He’s an editor we hired to help with a book. He lives in California.”
“What about G?”
“He helps us with website design and management. He lives in New Zealand.”
“Oh.” This time there is some surprise in the man’s tone. “And K?”
“Artist, lives in China.”
“M?”
“Artist, lives in Brazil.”
The man paused. “Wow, you really work with people all over.” This surprise came from from a man who spends all of his work hours interviewing business owners about their employees and contractors.

I was standing in a copy shop waiting for color prints of the latest Schlock book when another woman came to stand in line next to me. The first pages were delivered and I began to turn them over and look for errors.
“That’s really cool looking.” The woman said “What is it?”
I’m always a little stumped to answer this question, because I don’t know where to start or how to summarize. I can talk for hours about what I do and what Howard does, but casual conversation isn’t supposed to turn into a lecture. Yet any answer I give that is short of a lecture tends to provoke more questions, not fewer.
“It is a comic that I edit and publish. My husband is the artist and author.”
“That’s really cool. He drew all these pictures?”
“Yes.”
“But he must draw on a computer. people don’t draw on paper anymore, do they?”
At this point I recognized I was talking to a person for whom a creative career is so far outside her worldview that she literally did not have the necessary knowledge to comprehend the work we do. She asked three times, in three different ways, what our real jobs were, what did we do for money when we weren’t working on the comic. The idea that a comic book was our full time job simply did not compute.

I so often forget what a strange thing it is that Howard and I do. We live in this strange little niche that only exists because of the internet. Sometimes we’re not sure ourselves how all the things combine to bring enough income to pay all our bills. I try to forget about that, because when I contemplate it, anxiety rises up to remind me that it could all go away. I forget that most people don’t have plot conversations over breakfast, and copy-edits over lunch. For us it is routine to answer fan mail and to sign a contract to print 5000 books. It is routine to communicate with people on far flung portions of the planet about things that we are creating together. Then there are these moments where someone reacts to our job description and I remember. What we do is weird and we’re really lucky that we get to do it.

Lack of Focused Work this Week

By / April 7, 2016

This is not being a great week for focused attention. We can start with the fact that it is Spring Break, so Gleek and Patch are out of school. This means that the sound of games begin around 10am instead of around 3pm. The sound of games isn’t really a problem all by itself. The real trouble is that the kids come find me to ask questions or tell me things. often to answer I have to stop what I’m doing and go do something else for a bit. Then I have to try to remember what I was doing. About the time I’ve gotten rolling, another kid needs a thing.

On top of kids in the house, this week we’re finalizing the cover for Force Multiplication. We’ve gotten to the stage where I tweak something and send to Howard, then he tweaks and sends back to me. The turn around time is pretty fast. Yesterday I went through file versions A-G. Today I’m already on version C. When it is all done, I’ll probably put together a gif slideshow of all the cover tweaks. It is fascinating to see how the design morphs over time. But I can’t post it until we have a final version.

The Beginning of April

By / April 3, 2016 / 1 Comment

TulipIn April the fact of spring becomes obvious. This makes my heart happy. Yet I have a habit of being tangled up inside my own head and failing to notice the world around me. This is particularly true since I don’t have to leave my house to go to work. There was one year where I looked up at the beginning of May and realized that I had completely missed daffodil and tulip season. This year I plan to pay attention. The world is full of small beautiful things that exist whether or not I take time to see them, but my life is enriched when I take time to notice. And some of them do get more beautiful for my attention. The flowers in my gardens grow stronger, bigger, more beautiful when I take time to pull weeds and scatter fertilizer.

02 Forget-me-not
I took some time to do that yesterday. I also planted some summer bulbs that are a gift to myself in June when they bloom. I also uncovered small gifts that I planted for myself some months prior, like this little forget-me-not. I love forget-me-nots. They remind me of playing with a childhood friend. We weren’t allowed to touch his mother’s roses, but we could pick as many of the tiny blue flowers as we wanted. Each plant only lives for about two years. Once the plant expends all its energy into flowers, the plant itself dies, but from among the hundreds of seeds, new plants will sprout, spreading tiny blue loveliness for next year.

03 Apricot blossom
The arrival of April reminds me that I was supposed to prune trees and grape vines in early March. Hopefully I’ll get out there during this next week while my kids are on Spring Break. I may even declare a yard work day and get the kids to help me. The abundance of blossoms on my apricot tree are a testament to the value of pruning. Two years ago the tree was weak and straggly. It had over-produced fruit for two years in a row. I pruned it back vigorously last spring, cutting off all the branches which might have borne fruit. This forced the tree to focus on leaves, which feed the tree, rather than on fruit, which takes energy from the tree and gives it to the possibility of future trees rather than feeding the tree it came from. The tree grew strong again, and this spring it is covered in blossoms, which are beautiful to see. As soon as the blooms fade, I’ll trim the tree again. I’ll not trim off all the fruit, but I’ll thin it out so that the tree can supply some fruit, but still have energy for more leaves. There is probably a lesson for me in self management as I consider managing this tree.

This April, in an effort to nourish myself and to share beauty, I plan to be posting a photo a day over on my twitter feed. They may all be plants and flowers from my garden. Or they may be something else that catches my eye. The only rules I’m attempting to abide by, are post at least one per day, and only post pictures that bring me happiness. You’re welcome to follow along.

April Fools Day is not my Favorite

By / April 1, 2016 / 6 Comments

If seen some wonderful online pranks, things that made me happy at their existence. The annual roll-out of ridiculous merchandise on Think Geek is a good example. I go there to see and laugh, but I am not tricked. I have dear friends who love the online pranking. In general I don’t. It raises my ambient level of anxiety because every single thing I look at, I have to think “Is this real?” And then there are the pranks that punch me right in the anxiety triggers.

For example, this morning Gmail added a button called “mic drop” where if you sent an email using it, an animated gif was added to your message and all responses to that email chain would be automatically archived. The trouble is that the button was right next to the send button, and I could picture myself accidentally clicking it and losing track of important business communications. Other Gmail customers reacted as I did, and the button was deactivated shortly after I saw it.

I spent some time yesterday thinking about how some people don’t ride chemically induced waves of mood on a daily basis. At least I think they don’t. I’ve heard rumors. That is not my lived experience. My daily existence involves management of stresses, and close attention paid to when people are over stimulated. And then there are days like yesterday where everything is fine when I wake up, but things go emotionally sideways, not because of events, but because of weirdness inside my head. I wonder if I would enjoy April Fools Day more if I didn’t have to manage the psychology in my household quite so much.

For now, I’m just going to look at this photo of a flower I took this morning. I may do photo a day again this April. I enjoyed that last year.
Tulip

Ordinary day

By / March 30, 2016

It always takes a few days for me to sort myself out post-convention. I would dearly love to just spring back to work, but energy and sleep debts must be paid. The good news is that as of today, I appear to be paid in full. I plowed through some work on Force Multiplication, bringing it closer to print ready. I wanted to work more on Planet Mercenary, perhaps I’ll find a spurt of energy later this evening.

…and apparently I did because it is now later in the evening and I got some more work done. We only have 14 more margin art spaces to fill in Force Multiplication. That and creating textures for the cover. Then we’ll be ready to test print. So close.

I had to take some time to play homework warden this afternoon. Gleek had an overdue essay to complete. Patch had to face the dire assignment of drawing a still life. This actually is pretty dire to him. It punches his anxiety buttons, because his brain screams at him that he’ll get it wrong and that will be his ultimate doom. But we can’t excuse him from all of life’s hard things on account of anxiety, so I’m giving him space to wrestle with this a bit. Hopefully he’ll be able to make himself get started tomorrow.

Some days are just ordinary. Perhaps I’ll have thoughtful things to post on a different day.

Watched Daredevil

By / March 29, 2016 / 2 Comments

A person as amazing and wonderful as Karen deserves to be someone’s first choice and first priority. I mean, sure go save the world and save lives, but she should come before the other stuff. Just saying.

Also, secrets and lies are never good for relationships.

Powerful show to evoke such strong reactions and discussion. Beautifully filmed. Far more blood and death than I was comfortable with, yet the show was all about the consequences of choices, what makes a hero, and where the line is between hero and villain.

Convention Thoughts and Decisions

By / March 30, 2016 / 3 Comments

The Bright Moments:

Getting to visit with our friends Jim Zub and Stacy King, whom we don’t see nearly often enough. Our table was right next to theirs, which gave us lots of hours to talk and laugh.

The ten year old girl who came to our table and looked through Howard’s sketch book. I was able to talk to her about drawing every day and about the scribbled page where Howard was just experimenting with new pens. It was such a brief interaction, but I could tell that this young artist was absorbing information to take home and use.

Another little girl about the same age who listened to Howard talk about art. Her eyes alight with possibility and dreams. Her dad was taking her from table to table to talk to all the artists.

Reconnecting with friends who come find our table and take time to visit with us.

The moments when fans seek us out to tells us that they love Schlock. Whether or not they buy things at the booth, they give us energy and remind us of why we do the things that we do. Those moments are treasures.

Getting to sit on a panel with six other creative people and talk about how to make space in our lives for creativity. It is always amazing to hear the different approaches that people take and the ways in which creative processes are similar. Then after the panel, having an audience member come up and thank us. I could see in her eyes that something said in the panel had given her hope and a new drive to create.

Talking with the convention center sound guy in one of the panel rooms. He’s spent fifteen years working at the Salt Palace convention center. He’s seen all sorts of shows. He told me that the comic cons are in his top three favorite shows because of the positive energy that the crowds bring. He loves seeing the creative energy and the inclusiveness. He loves seeing people realize that they are not alone. Listening to him talk reminded me that these shows are amazing and joyous gifts for many people. It was a reminder that I very much needed on a morning when I was feeling convention burned out.

Seeing creative energy and passion on display in all the costumes that walk past. It is always fascinating to watch costuming trends. Two years ago Loki was everywhere. This year he’s not. This year I can’t turn around without seeing Rey or Kylo Ren. Star Wars in general is much more popular. You can pretty much predict what costumes you’ll see based on which movies have been popular in the past year. But then there are some costumes that are evergreen. I always see Dorothy with Toto. There are always Tardis dresses. Browncoats are out in force. I saw a Merida that looked like she had just stepped out of the movie Brave, and it was the girl’s real hair. In front of my booth I watch people thrilled to see each other’s costumes and pause to take pictures.

The things that require decisions:

In between these bright moments are long hours of sitting at the table while people walk by, barely glancing at our books. It gives me lots of time to think about how each convention has it’s own created culture and feel. At GenCon people come for the games. They play games, they buy games, they talk games. At LTUE people are there to learn. They learn writing, art, and other creativity. This show, Salt Lake Comic Con, people come for the spectacle. They want to see the costumes, see the stars, get pictures, get autographs. This means that in the vendor hall, people are looking, not buying.

There is nothing wrong with any of these show focuses, but we have to guard our time and energy. This means we should attend the shows that feed our creativity and avoid the ones that drain us. It wears me out to sit at a vendor table for long hours during a show where most people are looking, but not buying. And most of the people are looking for something that is not us, so they walk by our table as if we’re invisible. Being stuck at the table means I can’t wander and go see things myself. I can’t sit in the green room to visit with other panelists and creators. I can’t hide and re-charge.

We’ve given it several years and experimented with several formats for our table, but this year I’ve come to the conclusion that the emotional costs of running a table outweigh the benefits. If we do Salt Lake Comic Con again, we’ll just do panels.

This is an important key to being a successful creative professional: recognize what marketing strategies work for you and which ones don’t. I have friends who avoid conventions altogether. I know people who shine at school visits or book signings. I have friends who swear by blog tours and others who say they’re useless. There are people who are running booths at this show and selling piles of things. There are people who love standing at a table and talking up their wares. There are people who love vending at this show. I’m not one of them, and that is fine.


*Note: This entire blog post was written while sitting at my booth with people walking past. This is a measure of how slow things are for us at this show. I’m very grateful that our costs are so low that I don’t have any financial regrets about this experience.

*Addendum note, added 3/30/16: I did the math. We earned $6 per hour for our time running the booth. That is not nearly enough money to pay for the inevitable energy drain where I have to fight off the fear that the disinterest of the comic con crowd is a harbinger that everyone everywhere has begun to loose interest, thus we are doomed.

SLCC Fan X

By / March 25, 2016

This is the second day of me sitting inside a giant concrete box running a little store while hundreds of costumed people walk by. It is an experience that is both fun and exhausting. Every time we attend we’re performing an experiment on how to swing the balance more toward the fun side of the equation. This time we’ve gone smaller than in prior years. We only have one table and we’re placed in Artist’s Alley next to other creators who will help cross promote and who help us keep our energy from flagging. So far we are greatly enjoying the reduced pressure.

Last night we went out to dinner with several writers who have worked for DC, Marvel, My Little Pony, and other well-known comic properties. It was fascinating to hear behind the scenes stories and learn about how things work with licensed properties. But one of the most interesting things was that as we walked back to the hotel, at 9pm, all of them were listing off the work they still had to do before bed. Like us they’ll spend ten hours today standing behind tables, selling things, and talking to people. Howard will be working at the booth when he’s not talking. This is the part that is not always obvious to young people who long to work in comics. All of these creative folks work hard, without stopping or resting very much.

I am among those who are not resting this weekend. In addition to the show hours, I’ve also been commuting home to provide at least a little bit of structure to my kids. They’re teenagers and mostly can manage themselves without intervention, but the will forget to go to bed unless I remind them. And they’re not particularly good about getting themselves up for school in the morning. So I went home to make sure those two things happened. Also to re-stock some grocery items. And to pick up additional books that we hope to sell at the table today. Fortunately Howard has a hotel room, so only one of us had to commute. I didn’t have to worry about Howard being anxious over commute traffic and parking.

This show has already given me some gifts that I could not have had otherwise. I was able to re-connect with a dear friend whom I haven’t seen in years. I’ve also had my annual catch-up conversation with several friends I only see at SLCC events. Thursday was pretty quiet. Today the hall will fill up more. Saturday the true crowds will descend. Time to get to work.

What are we teaching the children?

By / March 20, 2016 / 3 Comments

A large part of a parent’s job is to teach the children. Humans don’t arrive on this planet socialized, they have to learn it from others. Many studies and articles reiterate the idea that parents are the largest influences on how their children turn out. The pressure of that is huge. I feel it every time I have to make a decision involving my kids. The trouble is that any action I take could teach multiple different lessons. If I buy them a treat after they’ve been pleasant at a store, am I teaching them good behavior is rewarded, or am I teaching them Mom can be manipulated? When we choose to stay home from a church event because going is too stressful, am I teaching them to opt out when things are difficult or am I teaching them valuable mental health coping skills? Even when I am very clear in my own head about what I want them to learn, they don’t always receive the message the way that I intended. In more than one high-emotion interaction I’ve looked at my child’s face and worried about what story they are telling themselves about the events we experienced.

There is a space between intention and reception. What happens in that space is influenced not just by the words and actions of this moment, it is also colored by my past relationship and history of interactions with my child. It is affected by the thing their friend said yesterday and the amount of sleep they got and that video they saw on the internet two weeks ago. That space can be terrifying to a parent who wants to do well, but isn’t a hundred percent sure of the path they should take. To increase the worry, there is also an awareness that as children grow, they will re-evaluate their childhood experiences and come to new conclusions about them. So even if the intended lesson is received in the moment, further along in time the child may decide that the lesson is wrong because they now see us differently or have a different framework for life than they had before.

One thing I’ve learned with writing is that I have very little control over the reception of my words. I try to be clear, but people respond in ways that I do not expect. Any attempt on my part to control their reaction only leads to hard words and hard feelings. I think this is also true of parenting. Ultimately I have so little control over the adults my children will become. I have influence, not control. It is not that the studies about parental influence are a lie. Parental influence is critical to child development. The lie is the one the parents tell themselves based on the studies. We tell ourselves that because we’re the biggest influencers in our children’s lives, it is crucially important to do parenting right. Then we run around frantically trying to figure out what “doing parenting right” means. This is where we end up judgemental of other parenting choices. Each of us spends so much time and energy developing our methods of parenting that when we encounter someone doing the opposite of what we chose, the fear creeps in. “What if I am wrong?” One way to squelch that fear is to double down and loudly proclaim how wrong the other parent is. Any time I’ve found myself judgmentally angry at another parent, some introspection shows me that my emotion is rooted in fear.

Parenting is actually a mutual language created between the caretakers and the child. The parents are changed by it as much as the children are. The relationship is influenced by their surroundings, their community, their support structures, or the lack thereof. I felt this as I raised my children through their youngest years. My responses to my children had to change as the children did. What worked to help one child was ineffective with another. Any time I figured things out, a kid would turn some developmental corner and I’d feel lost again. I was making it all up as I went. We are all making it up as we go. The process only gets harder if we believe that we have to make up elaborate lesson plans and instructional moments. If we try to control what gets learned. Instead of making sure we teach the right lessons, we should be the sort of people we hope our children will grow up to be. Who parents are matters far more than what parents do.

I’m not certain if that makes the parental pressure any easier, but it does shift it. It does mean that instead of being a dispenser of lessons and discipline, I can bring my children inside my indecision. I can say “I’m not certain how to answer that, here are all the thoughts rolling around in my head about it. Perhaps we can sort it out together.” Sometimes I do have to give a firm no, and sometimes I regret that response later. Other times I give in and regret that. It makes me feel like a wishy-washy failure, until I remember that having a perfect parent who does everything correctly all the time, means a child will never get to witness failure and recovery. They will never see how to be humble and apologize unless adults make mistakes where they can see, and then apologize for those mistakes.

We’re all muddling through together, parents, children, teachers, friends, young, and old. None of us has all the answers. We don’t need to. Instead we need to share the knowledge we have and be willing to admit when others know more that we do. I’ve learned some amazing things from my children, probably just as often as I’ve taught things to them.